A Brief History of Ancient China adapts a traditional Chinese historical format to present a multi-faceted account of the first two millennia of China’s earliest history: from the time of the legendary rulers Yao and Shun (c. 2000 BCE) down to the end of the Qin dynasty (221-207 BCE). Organised into five major sections, it examines the political shifts of the major dynasties, the histories of local states, and the lives of key individuals. Drawing on analysis of textual and visual materials, and a variety of English and non-English sources, Edward L. Shaughnessy offers detailed insight into the contemporary religious and philosophical landscape, governmental and legal practices, and innovations in writing, literature, and music. Incorporating recent developments in the field, this book draws on archaeological discoveries from the last century, and examines the lives of central female figures, and other groups who are often underrepresented.

The Cambridge History of Ancient China provides a survey of the cultural, intellectual, political, and institutional developments of the pre-imperial period. The four subperiods of Shang, Western Zhou, Spring and Autumn and Warring States, are described on the basis of literary and material sources and the evidence of recently found manuscripts. Chapters on the prehistoric background, the growth of language, and relations with the peoples of Central Asia provide the major context of China's achievements in the 1,500 years under review. The teachings of China's early masters are set alongside what is known of the methods of astonomers, physicians and diviners. A final chapter leads the reader forward to imperial times, as described in the volumes of The Cambridge History of China.

Examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry, and attempts to restore their original meanings.

Edward L. Shaughnessy examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry. By describing the original contexts in which these books were written and what they meant to their original authors and readers, this book sheds light on both the degree to which Chinese culture already was literate by 1000 BC, and also on how the later classical tradition eventually diverged from these origins.

"What I like most is the wealth of detail and the meticulous attention to primary evidence, combined with an overall appreciation of the broader cultural and historical context of the problems that have defied solution for centuries and with which the author deals.

"The book is filled with original lines of inquiry and original conclusions; the articles are of uncommon interest and intellectual challenge". -- John Knoblock, University of Miami

"Shaughnessy really has produced an outstanding work which will provide a service, find a substantial audience, and broaden awareness of his splendid contributions. He has played a pioneering role in opening up Western Zhou cultural history to the field". -- Robert Eno, Indiana University

In recent years, three ancient manuscripts relating to the "Yi jin"g ( "I Ching"), or "Classic of Changes," have been discovered. The earliest -- the Shanghai Museum Zhou Yi -- dates to about 300 B.C.E. and shows evidence of the text's original circulation. The "Guicang," or "Returning to Be Stored," reflects another ancient Chinese divination tradition based on hexagrams similar to those of the "Yi jing." In 1993, two manuscripts were found in a third-century B.C.E. tomb at Wangjiatai that contain almost exact parallels to the "Guicang"'s early quotations, supplying new information on the performance of early Chinese divination. Finally, the Fuyang " Zhou Y"i was excavated from the tomb of Xia Hou Zao, lord of Ruyin, who died in 165 B.C.E. Each line of this classic is followed by one or more generic prognostications similar to phrases found in the " Yi jing," indicating exciting new ways the text was produced and used in the interpretation of divinations.

"Unearthing the Changes" details the discovery and significance of the Shanghai Museum "Zhou Yi," the Wangjiatai "Guicang," and the Fuyang "Zhou Yi," including full translations of the texts and additional evidence constructing a new narrative of the "Yi jing"'s writing and transmission in the first millennium B.C.E. An introduction situates the role of archaeology in the modern attempt to understand the Classic of Changes. By showing how the text emerged out of a popular tradition of divination, these newly unearthed manuscripts reveal an important religious dimension to its evolution.

The thousands of ritual bronze vessels discovered by China's archaeologists serve as the major documentary source for the Western Zhou dynasty (1045-771 B.C.). These vessels contain long inscriptions full of detail on subjects as diverse as the military history of the period, the bureaucratic structure of the royal court, and lawsuits among the gentry. Moreover, being cast in bronze, the inscriptions preserve exactly the contemporary script and language.
Shaughnessy has written a meticulous and detailed work on the historiography and interpretation of these objects. By demonstrating how the inscriptions are read and interpreted, Shaughnessy makes accessible in English some of the most important evidence about life in ancient China.

A Brief History of Ancient China adapts a traditional Chinese historical format to present a multi-faceted account of the first two millennia of China’s earliest history: from the time of the legendary rulers Yao and Shun (c. 2000 BCE) down to the end of the Qin dynasty (221-207 BCE). Organised into five major sections, it examines the political shifts of the major dynasties, the histories of local states, and the lives of key individuals. Drawing on analysis of textual and visual materials, and a variety of English and non-English sources, Edward L. Shaughnessy offers detailed insight into the contemporary religious and philosophical landscape, governmental and legal practices, and innovations in writing, literature, and music. Incorporating recent developments in the field, this book draws on archaeological discoveries from the last century, and examines the lives of central female figures, and other groups who are often underrepresented.

This latest book from veteran O’Neillian Edward L. Shaughnessy examines the influence of the Irish playwright’s Catholic heritage on his moral imagination.  Critics, due to O'Neill's early renunciation of faith at age 15, have mostly overlooked this presence in his work. While Shaughnessy makes no attempt to reclaim him for Catholicism, he uncovers evidence that O'Neill retained the imprint of his Irish Catholic upbringing and acculturation in his work. Shaughnessy discusses several key plays from the O’Neill cannon, such as Long Day’s Journey into Night, The Iceman Cometh, and Mourning Becomes Electra, as well as the lesser-known Ile and Days Without End. Winner of the Irish in America Manuscript competition, Down the Days and Down the Nights: Eugene O’Neill’s Catholic Sensibility is a compelling investigation into the psyche of one of the most brilliant, internationally honored playwrights of our time.

Each chapter of this collection addresses a problem in Chinese history that is both interesting and important, as well as offering new ideas and interpretations, plus a methodological example that might inspire other scholars. There is a wide temporal span among the chapters, which take in early, medieval, and late imperial China. There is also a broad range of topics covered, including gender, society, archaeology, historiography, demography, intellectual thought, art, science, and technology. One chapter introduces the use of a kind of data completely new to the field of Chinese studies and develops the combination of old and new methods required to make sense of them, and the findings offer new challenges to economic, social, and medical historians. Another chapter invites us to rethink the reasons why "the woman question" emerged so suddenly, and to ask how conditions changed after 1898 to so radically alter views of women's place. Yet another reconsiders the rapid industrialization of Europe in the nineteenth century in light of the slower but equally extraordinary rise of modern Chinese machine-driven industry after 1860. The collective nature of this volume and the variety of its approaches and topics, plus the high quality of each chapter, make it accessible to scholars in a wide range of intellectual fields who may use from one to all chapters.

The latest book from veteran O'Neillian Edward L. Shaughnessy, Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility examines a major aspect of the playwright's vision: the influence of his Catholic heritage upon his moral imagination. Critics, aware of O'Neill's early renunciation of faith at the age of fifteen, have been inclined to overlook this presence in his work.

However, Shaughnessy does uncover evidence that O'Neill retained the impress of his Irish Catholic upbringing and acculturation. Shaughnessy advances this analysis with examples from the O'Neill canon, including several of the key plays (Long Day's Journey into Night, The Iceman Cometh, Mourning Becomes Electra), as well as some of the lesser-known works (Welded and Days Without end).

Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility offers a fresh and thought-provoking look at the life and work of this nation's most internationally honored playwright.

Shaughnessy's Eugene O'Neill in Ireland: The Critical Response is both more and less than a detailed study of how O'Neill's plays have fared in his ancestral homeland. Part theater history and part influence study, part production sourcebook and part anthology of criticism, this volume touches on all the possible connections between the playwright and the country to which he was so closely tied. American Literature Although Eugene O'Neill felt that his Irishness was the single feature that came closest to explaining his work, the reaction of the Irish critics and public to his plays has never been systematically explored. This new study is the first to focus on Irish perceptions of O'Neill. It traces the discussion carried on by Irish critics, scholars, and theatre professionals and reveals, in the process, many exciting new insights into the nature and significance of the dramatist's work. A balanced and informative treatment, it includes the author's penetrating analysis of the ways O'Neill's Irish heritage affected his work, a selection of essays by Irish critics, and information on Irish productions of his plays. Shaughnessy first examines the dimensions of the playwright's Irish connections -- his ancestry and cultural heritage and his use of Irish-related themes, symbols, and language. He looks at the history of productions staged in Ireland between 1922 and 1987 and at the Irish perceptions of 'the O'Neill issue.' Drawing on reviews, personal interviews, questionnaires, and letters, Shaughnessy reveals the complexity of the controversy surrounding the playwright's work. Selected essays, editorials, reviews, and scholarly commentaries -- many reprinted here for the first time -- demonstrate the range of opinion and the continuing impact of O'Neill plays on Irish thought. A catalog of productions of O'Neill plays in both the Irish Republic and Northern Ireland provides information on the dates and locations of productions as well as casts and directors. This lively and informative work also includes a selection of superb photos of O'Neill productions staged by the Abbey Theatre, Dublin Gate Theatre, and Belfast Lyric Players.